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Elizabeth Stuckey-French

    Elizabeth Stuckey-French schafft Erzählungen, die sich mit den Feinheiten menschlicher Verbindungen und der Kunst des Geschichtenerzählens auseinandersetzen. Ihre Arbeit zeichnet sich durch scharfe Einblicke in die Nuancen der menschlichen Psyche aus, oft unter Einbeziehung von Elementen des magischen Realismus und unerwarteten Wendungen. Mit ihren Kurzgeschichten und Romanen entführt sie die Leser in Welten, in denen die Realität mit der Vorstellungskraft verschmilzt, und erforscht Themen wie Identität, Erinnerung und die Suche nach Sinn. Ihre Prosa ist gekonnt gearbeitet und evokativ, was sie zu einer unverwechselbaren und fesselnden Stimme in der zeitgenössischen Literatur macht.

    Descend Again
    • "Millie Delaney, though she was liked and accepted by the people of the remote Arizona town in which she lived, was oddly isolated and set apart from them - set apart by her temperament, by her family background and by the width and scope of her intellectual and moral horizons. Suddenly into the small calm world she had built for herself two people erupted with shattering effect - Miguel, the Mexican boy she taught at school and who was perhaps an embryonic literary genius; and Toad, the tall, fair stranger from beyond the mountains. Miss Burroway portrays, with immense skill, delicacy and perception, the explosions they caused and their devastating aftermaths. Janet Burroway, born in 1936, spent three years at Columbia before coming to Cambridge in 1958 to read English Literature. She has already published poems and short stories in various magazines and anthologies both here and in the United States[,] but 'Descend Again' is her first novel." [from the front flap]

      Descend Again