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Marc Blake

    Spirit of the Blitz
    How To Be A Comedy Writer
    Writing the Horror Movie
    How NOT to Write a Sitcom
    How To Be A Sitcom Writer
    • 2020

      During the Blitz of 1940, many thousands of Londoners were forced to take shelter in the Underground. On the very first day, twelve-year-old William Lumley, his mother, and little sister Aggie are bombed out. Fleeing to the safety of the Tube, they begin a subterranean existence and Will befriends the station marshall, Mr Sands. Although they are sheltered from the constant bombing above, there is great danger underneath the streets. There's a gang of spivs as well as temptation and frustration in the form of Will's fickle cousin Evie. But worst of all an evil, malignant being lurks deep in the tunnels, appearing at night to steal the children away. Only Will has seen the beast, but can he find a way to convince others of the danger amidst the chaos and destruction of war-torn London?This young adult thriller from award-winning author Marc Blake is set during one of the most fascinating and dangerous periods in London’s history and will make a perfect addition to any mystery fan’s bookshelf.

      Spirit of the Blitz
    • 2014

      Exploring the complex relationship audiences have with sitcoms, this book delves into the genre's cultural impact, examining its humor, narratives, and the emotional responses it elicits. It highlights how sitcoms reflect societal norms while also challenging them, showcasing the love-hate dynamics viewers experience. Through analysis of iconic shows, the author reveals what makes sitcoms both beloved and frustrating, offering insights into their role in entertainment and society.

      How To Be A Sitcom Writer
    • 2013
    • 2011

      How NOT to Write a Sitcom

      • 272 Seiten
      • 10 Lesestunden
      3,9(19)Abgeben

      How NOT to Write a Sitcom is a troubleshooting guide aimed at both the novice and the practising sitcom writer. It illustrates and explains the many pitfalls in concept, characterisation, plotting and dramatic/comedic writing,which pepper the hundreds of scripts submitted every year.

      How NOT to Write a Sitcom