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Carol A Stabile

    Carol A. Stabile befasst sich mit tiefgreifenden Fragen an der Schnittstelle von Feminismus und Technologie. Ihre Arbeit untersucht, wie Geschlecht, Rasse und Medien in gesellschaftlichen Erzählungen miteinander verknüpft sind und deckt verborgene Vorurteile auf, die unsere Wahrnehmung prägen. Stabile regt zum kritischen Nachdenken darüber an, wie Technologie und kulturelle Konstrukte Ungleichheiten beeinflussen.

    The Broadcast 41
    • The Broadcast 41

      • 320 Seiten
      • 12 Lesestunden
      3,9(26)Abgeben

      In the 1950s, during the "Red Scare," forty-one women, including notable figures like Dorothy Parker, Gypsy Rose Lee, and Lena Horne, were blacklisted from American radio and television. This action was ostensibly due to fears of Communist influence, but the reality was that these women represented a diverse and ambitious challenge to the traditional portrayal of the American family. This book from Goldsmiths Press explores the significant loss to American media resulting from the exclusion of these women, documenting their aspirations and achievements through original archival research and FBI blacklist documents. It highlights their efforts in the 1930s and 1940s to present a more diverse and inclusive America. The narrative examines the consequences of silencing non-male, non-white perspectives in media, envisioning how television might have evolved differently without the elimination of dissenting viewpoints. The nostalgic image of an all-white, male-dominated America, epitomized by shows like "Leave it to Beaver," was largely a product of the suppression of these women and others like them. For those interested in the construction of cultural narratives, this book serves as a crucial reminder of the myths perpetuated when a select few control the airwaves.

      The Broadcast 41