Christopher Sharrett ist Autor und Herausgeber, dessen Arbeit sich auf die Analyse filmischer Werke und deren gesellschaftliche Auswirkungen konzentriert. Seine redaktionelle Arbeit an Crisis Cinema erforscht apokalyptische Themen in postmodernen filmischen Schöpfungen. Sharretts akademischer Ansatz zum Film betont kritisches Denken und ein tieferes Verständnis von Erzählstrukturen und ihren kulturellen Kontexten.
Examines the innovations of Breaking Bad through a study of its main character, using psychoanalysis, genre study, gender studies, American studies, and the graphic arts to assist an exploration of the supreme danger of modern, postindustrial toxic masculinity embodied in Walter White.
Set in 1880s New Mexico, this TV western explores the life of a single father raising his son, challenging traditional genre conventions. It juxtaposes themes of domesticity and reason with the prevalent gun violence associated with the settling of the West. The series features early contributions from notable figures like Sam Peckinpah and was produced by a pioneering team, showcasing the creative talent of its time. The Rifleman stands out for its intelligent storytelling and complex portrayal of American ideals.