Focusing on the contributions of E.V. Nazaikinsky, this collection of three articles explores his research and pedagogical practices in musicology. The first article highlights the interconnectedness of his work, while the second, by I.P. Dabaeva, delves into the evolution of the Russian spiritual concerto, emphasizing genre properties like contrast and dialogicality. I.M. Shabunova's article discusses multimedia production through Nazaikinsky's insights on musical instruments, covering classification, authentic performance, and orchestral history. This book is valuable for conservatory educators, students, and music enthusiasts.
