Deyan Sudjic Reihenfolge der Bücher

The exhibition at Chatsworth House features the innovative works of sixteen contemporary designers, highlighting the dialogue between historical artifacts and modern artistry. Captivating photography and insightful essays reveal how these artists, including Michael Anastassiades and Wendell Castle, draw inspiration from the estate’s rich design history. The juxtaposition of contemporary pieces, such as LED lighting and intricately carved sculptures, within the historic setting fosters a unique exploration of design evolution and the interplay of past and present.

The only comprehensive book on the fascinating life and work of the celebrated architectural designer, John Pawson This visual biography brings together John Pawson’s architecture, life, clients, travel, photography, design, books, and ideas. Written by Deyan Sudjic, an architectural historian and long-time friend, it explores the full scope of Pawson’s life, from his Yorkshire upbringing and time spent in Japan to the fashion years and the influence of art, and provides a thoughtful and intimate insight into his life, inspirations, and work. It features wonderfully engaging stories and anecdotes about Pawson's work with such clients as Bruce Chatwin, Calvin Klein, Karl Lagerfeld, Shiro Kuramata, Martha Stewart, and many more. The book features documents, photography and ephemera, including never-seen-before images from Pawson's personal and professional archives – richly illustrated, this is the ultimate book on John Pawson.

"What would an architect do for the chance to build the tallest building in the world? What would he sacrifice to stay alive in the midst of Stalin’s murderous purges? This is the first major publication on the remarkable life and career of Boris Iofan (1891–1976), state architect to Joseph Stalin. Iofan’s story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union’s most celebrated architect after Alexei Rykov, Lenin’s successor, persuaded him to return to Moscow from Rome with his aristocratic wife, Olga Sasso-Ruffo. Iofan was at the heart of political life in the Soviet Union and his work is key to understanding its official culture. When Stalin’s henchmen crushed the architectural avant-garde, it was Iofan who created the new national style, from the grand projects he realized, including the House on the Embankment, a megastructure of 505 homes for the Soviet elite, to even more ambitious unbuilt projects, in particular the Palace of the Soviets, a baroque Stalinist dream whose image was reproduced throughout the Soviet Union. His career took him to New York and Paris, and to the destroyed city of Stalingrad. He was a friend of Frank Lloyd Wright; a rival of Le Corbusier, Walter Gropius and Erich Mendelsohn; and an enemy of Hitler’s architect Albert Speer, whose Nazi pavilion faced Iofan’s Soviet one at the Paris Expo in 1937. He kept silent when Stalin executed his friends, including Rykov; he also sacrificed his own talent by following the dictator’s instructions to the letter in creating the regime’s landmarks. Generously illustrated, with a wide range of unpublished material, this book is an exploration of architecture as an instrument of statecraft. It is an insight into the key moments of 20th-century politics and culture from a unique perspective, and the personal story of a remarkable individual who witnessed many of the most dramatic turning points of modern history."--Publisher's webpage

"What would an architect do for the chance to build the tallest building in the world? What would he sacrifice to stay alive in the midst of Stalin's murderous purges? This is the first major publication on the remarkable life and career of Boris Iofan (1891-1976), state architect to Joseph Stalin. Iofan's story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union's most celebrated architect after Alexei Rykov, Lenin's successor, persuaded him to return to Moscow from Rome with his aristocratic wife, Olga Sasso-Ruffo. Iofan was at the heart of political life in the Soviet Union and his work is key to understanding its official culture. When Stalin's henchmen crushed the architectural avant-garde, it was Iofan who created the new national style, from the grand projects he realized--including the House on the Embankment, a megastructure of 505 homes for the Soviet elite--to even more ambitious unbuilt projects, in particular the Palace of the Soviets, a baroque Stalinist dream whose image was reproduced throughout the Soviet Union. His career took him to New York and Paris, and to the destroyed city of Stalingrad. He was a friend of Frank Lloyd Wright; a rival of Le Corbusier, Walter Gropius, and Erich Mendelsohn; and an enemy of Hitler's architect Albert Speer, whose Nazi pavilion faced Iofan's Soviet one at the Paris Expo in 1937. He kept silent when Stalin executed his friends, including Rykov; he also sacrificed his own talent by following the dictator's instructions to the letter in creating the regime's landmarks. Generously illustrated, with a wide range of previously unpublished material, this book is an exploration of architecture as an instrument of statecraft. It is an insight into the key moments of 20th-century politics and culture from a unique perspective, and the personal story of a remarkable individual who witnessed many of the most dramatic turning points of modern history."--Amazon.com

What makes a city? Is it a place or an idea? How should we define the city as it evolves today? Deyan Sudjic decodes the underlying forces that shape the urban spaces around us, from their buildings to their names, from the power of crowds to why being a Londoner, New Yorker or Muscovite can offer a sense of identity greater than any other.

"This book tells the story of Italian designer and architect Ettore Sottsass (1917-2007), not just revealing the anecdotes and inspirations behind many of his most famous pieces but also detailing his encounters with some of the most iconic figures of the 20th century, such as Picasso, Hemingway and Allen Ginsberg. Perhaps best known as the founder of the Memphis Group in the 1980s, famous for its colourful and flamboyant furniture, ceramics and lighting pieces, Ettore Sottsass was one of the most important and prolific Italian designers of the 20th century and is celebrated internationally for his contribution to architecture, industrial and furniture design, ceramics, graphic design, and photography. He initially trained as an architect, before going on to become design consultant for Olivetti, where he designed the Valentine typewriter, one of his most iconic pieces"--Publisher's description

Pierwsze polskie wydanie książki Deyana Sudjica "The Edifice Complex" - cyklu esejów poświęconych związkom władzy i architektury to niepowtarzalna okazja przybliżenia czytelnikom w Polsce współczesnego, analitycznego spojrzenia na siły kształtujace przestrzeń publiczną i architekturę. Publikacja złożona jest z serii niezależnych rozdziałów, analizujących architekturę jako zarówno nieodłączny element politycznej propagandy w rękach XX-wiecznych dyktatorów (Hitlera, Stalina, Mussoliniego, Mao i Saddama Hussajna) jak i środek realizacji ambicji demokratycznych polityków (m.in. prezydentów USA), finansowych magnatów, korporacji oraz władz miejskich na różnych szerokościach geograficznych. Książka, opublikowana po raz pierwszy w 2005 roku w Wielkiej Brytanii okazała się bestsellerem i doczekała się wielokrotnie wznowień.

In this new series, the Design Museum looks at the fifty design icons of major cities around the world - icons that, when viewed together, inherently sum up the spirit of their city. Covering everything from buildings and monuments to a graffiti mural or an item of clothing, we are able to build up an intricate portrait of a city, layer by layer.From its long-serving Routemaster buses and world-famous tube map to the miniskirts of the swinging sixties and the imposing silhouette of Battersea Power Station, London is a tapestry of design masterpieces. Join Deyan Sudjic, Director of the Design Museum, as he unravels the visual history of one of our most complex and intriguing cities.Contents include:The Times mastheadAbbey RoadBattersea Power StationTate Modern Turbine HallBanksy graffiti muralMary Quant miniskirtTube mapChristopher Kane flourescent dressLloyd's of LondonLondon Aquatics Centre...and many more.

This an essential tool kit for understanding the world around us. It's about our obsession with collecting, the quest for authenticity and the creation of national identities. It's about Hitchcock's film sets and why we value imperfection. It's about fashion and technology, about politics and art.'A memoir and a master class in musing on modern design . . . It's a collection of thoughtful, absorbing essays about many aspects of modern design, a subject nobody writes better about than Sudjic' - Evening Standard