Hallie Rubenhold Bücher

#saytheirnames: Polly, Annie, Elizabeth, Catherine und Mary-Jane Diese fünf Frauen wurden 1888 ermordet. Ihr Tod und noch mehr ihr Leben haben damals kaum jemanden interessiert. Hingegen wurde der unbekannte Täter, dem die Presse den Namen Jack the Ripper gab, mit viel Aufmerksamkeit bedacht. Hallie Rubenhold befreit die fünf ermordeten Frauen aus dem Schatten der Anonymität. In ihren Lebensgeschichten wird eindringlich deutlich, wie hart das Leben als Frau in der Arbeiterschicht zu jener Zeit war und wie katastrophal die Zustände im Armenhaus waren. Und vor allem, wie erbarmungslos die von der viktorianischen Moral geprägte Gesellschaft auf jede Frau blickte, die das ihr zugedachte Konzept der braven Ehefrau und Mutter hinter sich ließ. Hallie Rubenhold bietet in ihrem Buch neue Einsichten und stützt sich auf bisher ungesehenes oder unveröffentlichtes Material, wobei der Schwerpunkt erstmals ausschließlich auf den Frauen und nicht auf ihrem Mörder liegt.

London, 1757. Die Gegend um Covent Garden gehört nicht unbedingt zu den feinsten Adressen der Stadt. Es ist das Quartier der leichten Mädchen, der Spieler, Trinker und Zuhälter. Hier begegnen sich eines Tages der abgebrannte irische Poet Samuel Derrick und die schöne Charlotte Hayes. Er schlägt sich als Kellner im berüchtigten "Shakespeare's Head Tavern" durch; sie ist eine stadtbekannte Kurtisane. Gemeinsam kommen sie auf die Idee "Harris's List of Covent Garden Ladies" herauszugeben: ein schmales Bändchen, das fein säuberlich Namen und Vorlieben der Londoner Prostituierten aufzählt. Diese Liste, bald Musthave und Vademecum eines jeden "Gentleman of all Pleasures", wird zu einem frühen Bestseller und verkauft sich über 250 000 Mal. Hallie Rubenhold geht in ihrem glänzend geschriebenen Buch der wahren Geschichte von "Harris's List" nach.

Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the year of their murders- 1888. Their murderer was never identified, but the name created for him by the press has become far more famous than any of these five women. Now, in this devastating narrative of five lives, historian Hallie Rubenhold finally sets the record straight, and gives these women back their stories

First published with the title Lady Worsley's Whim, read the book behind the major new BBC drama starring Natalie Dormer (Game of Thrones, The Hunger Games: Mockingjay)It was the divorce that scandalised Georgian England...

Miscast in the media for nearly 130 years, the victims of Jack the Ripper finally get their full stories told in this eye-opening and chilling reminder that life for middle-class women in Victorian London could be full of social pitfalls and peril.

A spirited heiress and a handsome baronet seem destined for a fairy tale marriage, but their union quickly spirals into one of history's most scandalous divorces. Lady Seymour Dorothy Fleming and Sir Richard Worsley's relationship, marked by glamour and promise, ultimately reveals the darker side of love and societal expectations, capturing public attention and igniting a media frenzy.

Their marriage had the makings of a fairy tale but ended as one of the most salacious and highly publicized divorces in history.In February 1782, England opened its newspapers to read the details of Sir Richard Worsley vs. George Maurice Bisset, a Criminal Conversation trial in which the aggrieved Sir Richard attempted to sue his wife€™s lover for an astronomical £20,000 in damages. In the course of the proceedings, the Worsley€™s scandalous sexual arrangements, voyeuristic tendencies and bed-hopping antics were laid bare.Lady Worsley€™s Whim is the story of a marriage between two opposing personalities; a stoic, art-collecting empiricist and a passionate romantic. Their tale is driven by the consequences of a terrible error of judgment made at a bath house on a summer€™s afternoon. The aftermath of this €œwhim€ altered their lives forever. This fascinating story has lain buried in long forgotten newspapers, overlooked pamphlets, yello

"1789: Henrietta Lightfoot, a young Englishwoman, trips on her silk gown as she runs for her life along the bloodstained streets of revolutionary Paris. She finds refuge in the opulent home of Grace Dalyrmple Elliott, the city's most celebrated courtesan. But heads are rolling, neighbours fear neighbours, and masters whisper before servants. As the sound of the guillotine echoes outside, within the gilded salons of high society Henrietta becomes a pawn in a vicious game of female power. How will she survive in a world where no one can be trusted?"--Goodreads.com

Perfect fiction for fans of BBC TV's hit series BRIDGERTON and HARLOTS 'A remarkable picture of a fascinating age' Daily Express 'A full-blooded historical' Independent _____________________ My tale is not for the faint of heart. Born illegitimate in eighteenth-century England, the scandalous Henrietta Lightfoot gives us her version of the truth about her criminal life in this delicious coming-of-age. Fleeing her childhood home for the big city, Henrietta is now swimming in the London underworld of rakes, rogues, sharks, pimps and courtesans - she quickly sees that true liberty is a man's privilege. What must Henrietta do to survive in a world designed for men? Gripping, twisty, shocking, MISTRESS OF MY FATE illuminates the dark lives of the women written out by the masters of eighteenth-century literature. Vibrant and full-blooded, it is an irresistible picaresque story for our times 'Two parts Lizzie Bennett and Tom Jones's Sophia Western to one part Moll Flanders' INDEPENDENT 'Combines extraordinary bawdiness with silky sophistication' DAILY EXPRESS

Focusing on the perspectives of three women central to the Crippen murder case, this narrative delves into their complex lives amid societal constraints and rapid change. It reexamines the infamous 1910 crime, challenging previous portrayals that victim-blamed and misrepresented the women's roles. By uncovering new evidence, the author reveals the multifaceted identities of Charlotte, Belle, and Ethel, highlighting their strength and agency against the backdrop of Edwardian society, ultimately redefining their stories beyond mere victimhood.