Dieser Autor befasst sich mit den Feinheiten menschlicher Verbindungen und tiefen existenziellen Fragen durch fesselnde und emotional resonierende Erzählungen. Seine Prosa wird für ihre Zärtlichkeit, ihren Schmerz und ihre kathartische Kraft gelobt und häufig mit dem visuellen Stil und der literarischen Tiefe gefeierter Schöpfer verglichen. Die Werke zeichnen sich durch vielschichtige Erzählstrukturen aus und lassen die Leser in spiralförmige, unvergessliche Erlebnisse eintauchen, die zum Nachdenken über Ursachen und Folgen menschlichen Handelns anregen.
Der angehende Schriftsteller Walter Hartwright begibt sich auf eine Reise um die Welt und zu sich selbst, begleitet von seinem Freund Julian McGann und der Schauspielerin Evelyn Demont. Die Erzählung beginnt in seiner Kindheit in Raleigh und führt über New York City nach Ghana, Sri Lanka und Island.
Ein geistreiches Vexierspiel, ein großer Lesespaß und die Entdeckung eines fulminanten neuen Erzählers: Gebeutelt von künstlerischen und amourösen Versagensängsten macht sich der angehende Schriftsteller Walter Hartwright alias Pinkerton auf eine Reise um die Welt und zu sich selbst. Alles begann mit einer goldenen Armbanduhr … Mit einem Augenzwinkern nimmt uns der Ich-Erzähler mit auf eine Reise um die Welt, die in seiner Kindheit beginnt in der Provinzstadt Raleigh (wo er in einem Wiener Kaffeehaus „Ludwig’s Coffeeshop“ jobbt) und über New York City schließlich nach, Ghana, Sri Lanka, Island und wieder zurück führt. Mit von der Partie: der beste Freund und Alter Ego des Erzählers, der sehr talentierte, aber von Selbstzweifeln geplagte Schriftsteller Julian McGann, und die schöne Schauspielerin Evelyn Demont, die Frau, die beide lieben … In der selbstironischen Schilderung der Nöte des Autors, der Grenzen des Erzählens, der Eifersüchteleien unter Schriftstellern, des Größenwahns und der Versagensängste erinnert das Buch an die besten seiner Art.
Praise for Why We Came to the City A tremendous accomplishment: an elegant and deeply moving meditation on friendship and mortality, both fearless and finely wrought. I believe this book will stay with me for a very long time. -Emily St. John Mandel, author of Station Eleven Stunning . . . A beautiful, sprawling, and generous book. Jansma is a brilliantly talented writer, but he also has a unique insight into what friends mean to one another, and what it means to be part of a city in which you never quite belong, but can't quite bring yourself to leave. It's a heartfelt novel, tender and painful and cathartic all at once, and even if the characters belong to New York, the story belongs to us all. -Michael Schaub, NPR A brilliant stylist, Kristopher Jansma draws readers into an intricate web of lives in the big city in his astonishing new work. He writes with power and passion . . . and inhabits his characters, thinking what they think and feeling what they feel so compellingly that he pulls the reader into the story and won't let go. . . . A wonderful, unforgettable novel. - Miami Herald Jansma's novel is a love letter to Manhattan, the letter so many of us who moved here in our 20s have written. . . . Like the rest of us, his characters learn that things don't always work out the way we plan, but if we stick with our city, our city delivers. -Helen Ellis, The New York Times Book Review Enticing . . . Much like a modern Great Gatsby , this book is awash in the feeling of the city. -Melissa Ragsdale, Bustle Fans of Bret Easton Ellis's stream-of-consciousness narratives will enjoy Jasma's paean to New York City. - In Style Joyful and tragic, Jansma's book will appeal to readers who loved Hanya Yanagihara's A Little Life . - Men's Journal As the characters navigate the complexities of an untimely and unexpected tragedy . . . Jansma artfully counters the heaviness of these themes with a delightful, and at times laugh-out-loud hilarious, narrative. Dialogues are smart, absurd, and addictive; and the author's insights border on the philosophically expansive and profound. -Santa Cruz Sentinel Like A Little Life and The Love Affairs of Nathaniel P. , Jansma's Why We Came to the City shows us, with beauty and insight, what it's like to be young and smart in this time, and in this place. It's a major achievement. -Darin Strauss, author of Half a Life Why did we come to the city, anyway? And why on earth would we ever leave? In Jansma's able hands, these are and are not metaphors. We came because we are more ourselves as part of a collective. We came to learn our limits. We came so that we might know when to leave. This is a lively, addictive party of a book, and you're invited. -Elisa Albert, author of After Birth Fantastic. This beautiful, boisterous novel is a paean to New York, to the hubris of youthful optimism, and, especially, to the powerful magnet of friendship. It's full of as much heartache and humor as the city itself. And like the city, this story will break you apart in a dozen ways, only to teach you, tenderly, how to put yourself back together. I wanted it never to end, but when I read the last page, I loved it even more. Jansma is a star. -Alena Graedon, author of The Word Exchange Kristopher Jansma's dazzling Why We Came to the City is at once a tribute and a breakup letter to New York, timeless as the elegant architectural details that jut ornately from older buildings, yet timely as a phone freighted with an urgent missive. The constellation of relationships he charts feels so vivid and visceral that we not only see it but find ourselves caught, swaying in its gravitational tugs and tilts. In page after page abounding with wit, candor, and compassion, Jansma reveals the indelible nature of our connections and commitments to one another, along with their gossamer fragility. -Tim Horvath, author of Understories Lively and elegant .
An elderly woman's reflections on her family's survival during the Nazi occupation of Holland reveal long-buried secrets that affect her descendants. Mieke Geborn's quiet life in New Jersey is disrupted when her grandson Will and his wife visit, prompting him to seek answers about their family history. As Mieke recounts her childhood experiences during the brutal Hunger Winter, the narrative unfolds across the landscapes of war-torn Europe, intertwining themes of survival, resilience, and the lingering impacts of trauma across generations.
What We Can Learn from the Lost, Unfinished, and Just Plain Bad Work of Great Writers
Focusing on the discarded drafts and uncompleted works of renowned authors, this book challenges the notion of the solitary creative genius. It highlights the setbacks and failures that many writers face, providing valuable insights and lessons for aspiring authors. Through these examples, the narrative encourages a more realistic understanding of the writing process, emphasizing resilience and the importance of learning from one's missteps.