Horacio Pons Bücher

Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature's images and philosophy; and film rejects theatre, while also fulfilling theatre's dream. Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.

The author explores the contemporary social and cultural implications of democracy, seeking to reconstruct the political landscape and revive democratic values. He addresses two main threats to democracy: the inherent risks it faces and the misuse of its name. Through this examination, the book aims to foster a deeper understanding and commitment to democratic principles in today's society.