Chris Greenhalgh Bücher

Die wahre Geschichte einer amour fou 1913 findet in Paris die Uraufführung des Balletts „Le sacre du printemps” statt. Der Komponist Igor Strawinsky wird für seine radikal neue Musik ausgepfiffen. Doch im Publikum befindet sich eine Frau, die von den dissonanten Rhythmen wie berauscht ist und spürt, dass diese Musik genauso bahnbrechend modern ist wie ihre Modekreationen: Coco Chanel. Es sollen noch sieben Jahre vergehen, ehe sie sich das erste Mal persönlich kennenlernen – und sich zwischen den beiden exzentrischen Künstlern eine leidenschaftliche aber höchst delikate Liebesaffäre entspinnt ...

Collaborative virtual environments are multi-user virtual realities which actively support communication and co-operation. This book addresses the theory, design, realisation and evaluation of such systems, with a particular emphasis on support for large numbers of distributed users. A broad approach is taken, which ranges from the sociology of interpersonal communication to the management of communication in distributed systems. The emphasis on multi-user environments distinguishes this book from the many general books on virtual reality which only deal with single-user systems. This book models of multi-party awareness and interaction in space-based systems; detailed designs of two prototypes (MASSIVE-1 and MASSIVE-2); experiences with collaborative virtual environments created using these; and analyses of the corresponding network requirements. Many of these results and ideas are applicable to other systems and approaches.

Full of the romantic glamour of 1940s Paris and Hollywood, this novel tells the heart-wrenching story of the secret affair between the iconic Casablanca star and the famous photographer. -- Cover.

Suitable for 9-11 year olds, this title features an adventure cartoon story for Levels 1 & 2\.

Step into a Burmese temple built between the late seventeenth and early nineteenth centuries and you are surrounded by a riot of color and imagery. The majority of the highly detailed wall paintings displays Buddhist biographical narratives, inspiring the devotees to follow the Buddha’s teachings. Alexandra Green goes one step further to consider the temples and their contents as a whole, arguing that the wall paintings mediate the relationship between the architecture and the main Buddha statues in the temples. This forges a unified space for the devotees to interact with the Buddha and his community, with the aim of transforming the devotees’ current and future lives. These temples were a cohesively articulated and represented Burmese Buddhist world to which the devotees belonged. Green’s visits to more than 160 sites with identifiable subject matter form the basis of this richly illustrated volume, which draws upon art historical, anthropological, and religious studies methodologies to analyze the wall paintings and elucidate the contemporary religious, political, and social concepts that drove the creation of this lively art form.