James Elkins Reihenfolge der Bücher

This book presents a deep and engaging exploration of art history, challenging the foundational assumptions that shape the discipline. Through a critical lens, it invites readers to reconsider widely accepted narratives and perspectives in the field, fostering a more nuanced understanding of art's evolution and significance. The intimate approach encourages reflection on the connections between art and society, making it a compelling read for those interested in the intersections of culture, history, and artistic expression.

"For years, Samuel Emmer has monitored bacteria levels in drinking water for the small city of Guelph. He is content to focus on dangerous life-threatening single-celled organisms as his grasp on his own life recedes, and with it his with family and friends. No one is more surprised than Samuel when he is appointed to the city's Zoo Feasibility Committee. His assignment: travel to zoos around the world and gather information on the behavior of animals in their enclosures. The city of Guelph aspiring commendably, if naively, is trying to create cruelty-free habitats for its animals. It is in Tallinn, Estonia, that the dreams start for Samuel. He is in a vast wooded landscape; there is a fire burning in the distance; and it is coming his way... Weak in Comparison to Dreams, by historian and art critic James Elkins, is like no other novel you have ever read, even as its inspirations, from W.G. Sebald to Teju Cole, are clear to see. With an astounding breadth of knowledge and playful courage, Weak in Comparison to Dreams reignites our love for the ambitious novel; with experimentation that never lacks intention, and whose empathetic scope explores the deepest aspects of our individual humanity"--

The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.

Lively and informative, The World Atlas of Tattoo is a superbly illustrated and compelling reference book that, through examining the meeting point between tattoo artists and their personal understanding of their environment, presents a well-informed and nuanced account of what has become a widespread art practice. Organized geographically, each section is introduced by a short historical overview of the types of tattooing traditionally practised in that area of the world, enabling the reader to trace historical threads in the careers of some of the profiled tattooers, as well as marvel at how other artists have managed to create novel forms of tattooing that transcend any previous context. The book also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs. Written by an international team of scholars, historians and journalists, this comprehensive atlas will enlighten and excite anyone who is passionate about tattoo art in its many forms worldwide.

Exploring the profound impact of photography, Elkins delves into its paradoxical nature, highlighting its capacity to present images that evoke both desire and discomfort. He argues that photography transcends mere representation, engaging with the complexities of perception and emotion. Through a diverse array of illustrations, the book illustrates how photography captures the multifaceted challenges of seeing, making it a powerful medium that resonates deeply with viewers.

Through the lens of everyday objects, the book encourages readers to engage deeply with their surroundings, revealing the extraordinary in the ordinary. Elkins examines familiar items like grass, clouds, and bridges, illustrating how they hold intricate meanings and connections to our lives. By blending artistic insight with investigative curiosity, he invites readers to appreciate the beauty and complexity of the world, transforming mundane perceptions into a rich tapestry of observation that enhances our understanding of nature and thought.

We live in a world saturated in images, and yet a university education is still overwhelmingly linguistic and mathematical. Art history and visual studies, the two disciplines that study images, still work mainly with fine art and mass media. This book, the first of its kind, studies the production and interpretation of images in all the faculties and departments of a university. Fine art is here, and popular culture: but so is biology, speech therapy, the study of medieval inscriptions, of viruses, of whales, of the bottom of the ocean, and even of porcelain teeth and Cheddar cheese. The book contains detailed explanations of the ways images are made and interpreted: it does not popularize or bend different practices into the shape of some over-arching theory. The Introduction is an entirely new theorization of the study of images including a proposal that images can introduce students in all fields—in science and in the humanities—to the full range and unexpected coherence of the university as a whole. Without the study of images, universities are unified in name only: through images, students can find their place in the full spectrum of contemporary intellectual life.

"Eduardo Kac's work represents a turning point. What it questions is our current attitudes to creativity, taking that word in its most fundamental sense."-Edward Lucie-Smith, author of Visual Arts in the 20th Century"His works introduce a vital new meaning into what had been known as the creative process while at the same time investing the notion of the artist-inventor with an original social and ethical responsibility."-Frank Popper, author of Origins and Development of Kinetic Art"Kac's radical approach to the creation and presentation of the body as a wet host for artificial memory and 'site-specific' work raises a variety of important questions that range from the status of memory in digital culture to the ethical dilemmas we are facing in the age of bioengineering and tracking technology."-Christiane Paul, Whitney Museum of ArtFor nearly two decades Eduardo Kac has been at the cutting edge of media art, first inventing early online artworks for the web and continuously developing new art forms that involve telecommunications and robotics as a new platform for art. Interest in telepresence, also known as telerobotics, exploded in the 1990s, and remains an important development in media art. Since that time, Kac has increasingly moved into the fields of biology and biotechnology.Telepresence and Bio Art is the first book to document the evolution of bio art and the aesthetic development of Kac, the creator of the "artist's gene" as well as the controversial glow-in-the-dark, genetically engineered rabbit Alba. Kac covers a broad range of topics within media art, including telecommunications media, interactive systems and the Internet, telematics and robotics, and the contact between electronic art and biotechnology. Addressing emerging and complex topics, this book will be essential reading for anyone interested in contemporary art.

Druhé a doplněné vydání na knižním trhu velmi úspěšné antologie překladů knižních a časopiseckých studií a esejů angloamerických autorů o proměnách interpretačního rámce výtvarného artefaktu a o distanci současných badatelů od klasického pojetí kunsthistorie. Studie C. Owense Reprezentace, přivlastnění a moc, W. Davise Symboly v dějinách a jejich znovuobjevování, D. Summerse Reálná metafora: pokus o novou definici konceptuálního zobrazení a dále studie autorů Podra, Baxandalla, Dunninga, Moxeye, Brysona, publikované v prvním vydání knihy, jsou v druhém vydání doplněny o texty Leo Steinberga Objektivita a mizející já, Richarda Brillianta Můj Laocoon, Jamese Elkinse Objekt civí zpět a Alexe Pottse Skulpturální imaginace. Překlady uvádí podstatně rozšířená a doplněná úvodní stať editora Ladislava Kesnera Teorie, vizuální zobrazení a dějiny umění.

The narrative explores the profound emotional impact of paintings that have moved viewers to tears. Through a collection of anecdotes tied to specific artworks, it chronicles the deep connections and emotional responses elicited by these pieces, highlighting the powerful relationship between art and human feelings. Elkins delves into the ways individuals express their emotions in front of art, offering insights into the transformative power of visual experiences.