Mick Jackson Bücher

„Wir ziehen in eine andere Stadt!“ Das klingt für den kleinen Jungen erst einmal nach einem tollen Abenteuer. Er malt sich in den schönsten Farben aus, wie das komplette Haus von Kranwagen hochgehoben wird, wie es zu Land, zu Wasser und in der Luft reist und schließlich am neuen Ort landet. Als seine Mutter ihm dann erklärt, dass das Haus für eine andere Familie bleibt und sie in ein neues Haus ziehen, wird es dem Jungen mulmig. Das geliebte Zuhause verlassen? Hier kennt er doch jeden Winkel! Aber dann erfährt er, dass ein Umzug trotzdem ein schönes Abenteuer sein kann, solange alle zusammen und vergnügt sind.

Eine Geschichte über das Erwachsenwerden und das Erwachsensein: einfühlsam und poetisch. Devon, 1941. Fünf pfiffige Jungs machen mit ihren Streichen ein winziges Küstendorf unsicher. Richtig spannend wird ihr Leben, als eines Tages der kleine Bobby aus dem fernen London auftaucht. Später erscheint auch noch ein wortkarger Imker, verdreht ihnen mit seinen revolutionären Ideen den Kopf, und das Chaos ist komplett ...§

The second children's book from the wonderful illustrator John Broadley, working with Booker-shortlisted novelist Mick Jackson, following their glorious debut While You're Sleeping. Mick Jackson's poetic prose and John Broadley's detailed and unique illustrations make this a special book to read again and again, and treasure for years to come.

Including bears in chains, the circus bears of Bristol, the Victorian sewer bears and the spirit bears of the early years, among others, this title explores some little known chapters in England's past.

Since 1996, John Broadley has been making, chiefly for his own pleasure, a series of remarkable little books. This title offers a collection of the visual record of Broadley's books such as covers, end papers, sketches, notes, lines, captions and errata.

From the author of the Booker-shortlisted The Underground Man and Five Boys comes a brilliant and rare collection of ten sorry tales, evoking the style, verve and imagination of Roald Dahl's Tales of the Unexpected

A newly-widowed woman has done a runner. She just jumped in her car, abandoned her (very nice) house in north London and kept on driving until she reached the Norfolk coast. Now she's rented a tiny cottage and holed herself away there, if only to escape the ceaseless sympathy and insincere concern. She's not quite sure, but thinks she may be having a bit of a breakdown. Or perhaps this sense of dislocation is perfectly normal in the circumstances. All she knows is that she can't sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect. That it was, in fact, full of frustration and disappointment, as well as one or two significant secrets, and that by running away to this particular village she might actually be making her own personal pilgrimage. By turns elegiac and highly comical, The Widow's Tale conjures up this most defiantly unapologetic of narrators as she begins to pick over the wreckage of her life and decide what has real value and what she should leave behind.

'They both stop and stare for a moment. Yuki feels she's spent about half her adult life thinking about snow, but when it starts, even now, it's always arresting, bewildering. Each snowflake skating along some invisible plane. Always circuitous, as if looking for the best place to land...' Yukiko tragically lost her mother ten years ago. After visiting her sister in London, she goes on the run, and heads for Haworth, West Yorkshire, the last place her mother visited before her death. Against a cold, winter, Yorkshire landscape, Yuki has to tackle the mystery of her mother's death, her burgeoning friendship with a local girl, the allure of the Brontes and her own sister's wrath. Both a pilgrimage and an investigation into family secrets, Yuki's journey is the one she always knew she'd have to make, and one of the most charming and haunting in recent fiction.