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Maurice Hindle

    Es lebe die Kunst in all ihren Formen! Und es lebe das Lehren und Lernen im menschlichen Maßstab und Tempo zwischen Lehrer und Schüler; der Rest ist Humbug und Verdummung! Der Autor spricht für sich selbst, gestützt auf seine eigene Erfahrung, nicht im Namen einer Institution.

    Dracula
    Frankenstein or The Modern Prometheus
    • Mary Shelley’s haunting adventure about ambition and modernity run amok. Obsessed by creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life by electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. This chilling gothic tale, begun when Mary Shelley was just nineteen years old, would become the world’s most famous work of horror fiction and remains a devastating exploration of the limits of human creativity.

      Frankenstein or The Modern Prometheus
      4,1
    • London lawyer Jonathan Harker travels to Transylvania at the request of Count Dracula, who has purchased a house in London and wishes to finalize the transaction through his solicitor. During his journey, Harker encounters strange occurrences, including a local woman who gives him a rosary for protection. Upon arriving in Bistritz, he takes a coach and is picked up by a driver at Borgo Pass, who takes him to the Count's residence. The initial days are calm, but Harker is instructed not to enter certain rooms, a request he promises to honor. He soon notices that the Count has no reflection and exhibits a ravenous expression at the sight of blood when Harker accidentally cuts himself while shaving. The Count's unsettling appearance, with long white teeth and strikingly red lips, fills Harker with dread, leading him to fear for his life. The Count compels him to send seemingly innocuous letters to his fiancée and employer, while offering Harker a chance to escape, though he is too terrified to pass by the wolves under the Count's control.

      Dracula
      4,1