Charles Fréger Reihenfolge der Bücher (Chronologisch)

A gorgeously photographed glimpse into the "island of monsters"―the world of Japanese folk masks, characters, and costumes In Japan, the passing of the year is marked by festivals and rituals that have gone largely unchanged for centuries. Elaborate outfits, made from textiles as well as branches, straw, and other materials plucked from the natural environment, are donned in rural, agricultural, and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance. Yokainoshima (literally “island of monsters”) explores the extraordinary crop of masks, costumes, and characters that reappear with the return of each season.Charles Fréger’s photographs combine the attention to detail of a documentary photograph with individual portraiture in a fresh and distinctive style. Texts by specialists in Japanese folk culture and anthropology accompany the photographs, putting the huge variety of eclectic costumes in context with descriptions of the local festivals, dances, and rituals where they are worn.This compelling sequence of new portraits by an internationally acclaimed photographer will captivate enthusiasts of fine art photography and far off places as it pulls back the curtain on a strange and magical centuries-old tradition. 180 color illustrations

From high starched towers to elaborately pinned, tucked, and embroidered confections of handmade lace, the creations captured here by Charles Fréger are as delicate as they are distinctive. Fréger has photographed a series of portraits of Breton women of every generation from every region, wearing costumes and headdresses of endless variety. Each costume and headdress may indicate a wearer’s village as well as age or status. They are worn for celebrations of marriage, birth, or a local saint’s day, or to mark a period of mourning. Against a translucent gauze backdrop, young girls and women, both married and unmarried, mothers, sisters, and grandmothers, pose in costume for these stunning portraits.Although these headdresses were once worn daily, today they are part of a costume tradition upheld by women throughout Brittany in rites of passage, in Celtic circles, and at summer festivals, keenly attended by young and old.Some fifty headdresses are identified and described in a separate reference section, accompanied by specially commissioned illustrations. Fréger’s exceptional photographs demonstrate Breton culture’s wealth of pride, ingenuity, and personal expression.

Chaque année, dans toute l'Europe, de la France à la Bulgarie, de la Finlande à la Sardaigne, du Portugal à la Grèce en passant par la Suisse et l'Allemagne, des hommes, le temps d'une mascarade multiséculaire, entrent littéralement dans la peau du "sauvage". En devenant ours, chèvre, cerf ou sanglier, homme de paille, diable ou monstre aux mâchoires d'acier, ces hommes célèbrent le cycle de la vie et des saisons. Leurs costumes, faits de peaux de bêtes ou de végétaux, sertis d'ossements ou ceinturés de cloches, chapeautés de cornes ou de bois de cerfs, sidèrent par l'extraordinaire diversité et la prodigieuse beauté de leurs formes.