Ernst Behler Reihenfolge der Bücher

Includes: Schleiermacher's "On the Different Methods of Translation;" Jean Paul's "School for Aesthetics;" Novalis's "Aphorisms and Fragments;" Schlegel's "Dialogue on Poetry and Lectures on Dramatic Art and Literature;" Holderlin's "On the Process of the Poetic Mind;" von Kleist's "On the Marionette Theater;" Muller's "Twelve Lectures on Rhetoric;" von Humboldt's "On the Imagination;" Gorres's "The German Chapbooks;" and Grimm's "On The Origin of Language."

Professor Behler provides a view of the literary work and the artistic process developed in the German Romantic period.

I-II -- Inhalt -- Verzeichnis der Abkürzungen -- Einleitung -- Frühromantik als literaturgeschichtliches Phänomen -- I. Allgemeine Merkmale und literaturgeschichtliche Position -- II. Sprache, Mythologie und Dichtung in August Wilhelm Schlegels Theorie -- III. Die Konzeption der poetischen Einheit durch Friedrich Schlegel -- IV. Antike und Moderne, Klassik und Romantik -- V. Novalis und der Entwurf der absoluten Poesie -- VI. Wackenroders und Tiecks Kunsttheorie -- VII. Frühromantische Dichtung in der lyrischen Poesie -- VIII. Frühromantische Dichtung in der erzählenden Gattung -- IX. Die Literaturtheorie des Athenäums -- X. Religion, Hermeneutik und Enzyklopädie -- Chronologie der Frühromantik -- Chronologisches Verzeichnis der frühromantischen Schriften -- Sekundärliteratur -- Namenregister -- Sachregister -- 312

Behler discusses the current state of thought on modernity and postmodernity, detailing the intellectual problems to be faced and examining the positions of such central figures in the debate as Lyotard, Habermas, Rorty, and Derrida. He finds that beyond the "limits of communication," further discussion must be carried out through irony.The historical rise of the concept of modernity is examined through discussions of the querelle des anciens et des modernes as a break with classical tradition, and on the theoretical writings of de Stael, the English romantics, and the great German romantics Schlegel, Hegel, and Nietzsche. The growth of the concept of irony from a formal rhetorical term to a mode of indirectness that comes to characterize thought and discourse generally is then examined from Plato and Socrates to Nietzsche, who avoided the term "irony" but used it in his cetnral concept of the mask.