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Helen Adkins

    Künstlerheim Luise
    Ottjörg A.C.
    Erwin Blumenfeld, I Was Nothing but a Berliner
    John Heartfield
    Preußens Eros, Preußens Musen
    Berlin
    • Berlin

      • 124 Seiten
      • 5 Lesestunden
      Berlin
      4,0
    • Erwin Blumenfeld (1897–1969) was born into a Jewish family in Berlin. In 1941, he left Europe for the United States, where five years later he became a citizen. During the forties and fifties, he was one of the most sought-after fashion photographers in the world. However, most people are not familiar with the artist’s early work: the often bitingly humorous Dada montages he produced between 1916 and 1933. This book by Helen Adkins, a renowned expert on the Berlin Dada movement, is the first to provide an extensive study of these early works. Blumenfeld did not intend for them to be shown publicly—they were personal gifts to his friends and acquaintances or enclosed in love letters to his fiancée. The approximately one hundred works—including many that have not previously been published and which the author discovered in the artist’s family archives and in other public and private collections—will be examined within the context of Blumenfeld’s life, photographs, drawings, and literary works. (German edition ISBN 978-3-7757-2126-4) Exhibition schedule: Berlinische Galerie, Landesmuseum für Moderne Kunst, Photographie und Architektur, Berlin, February 27–June 1, 2009 · Further venues planned

      Erwin Blumenfeld, I Was Nothing but a Berliner
      4,4
    • FERROZINE 536 presents twelve projects by the artist Ottjörg A. C. from the last 20 years. Ottjörg has lived in many different countries for long periods of time – among these, in Germany, Austria and Russia, later repeatedly in China, and for several years in Brazil. His artwork originates from all over the world, inter alia color imprints of scribbled school desks from five continents. Ottjörg combines the analogue experience of traces and testimonies of the past with printing processes. His most important tool is communication. By printing on site – wherever a press can be found – participation and exchange with people of diverse heritages is extended to the technical production of the artwork. Where is the connection between the Pampas of Latin America and the foundation piles of Berlin’s Imperial Palace? How is it possible to mention Albrecht Dürer and Kasimir Malevich in one breath? What does horse castration have to do with colonial rule? How can worthless banknotes be profitably recycled? This publication has some ideas to offer.

      Ottjörg A.C.