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Viola Shafik

    24. Juli 1961

    Diese Autorin befasst sich in ihrer Arbeit mit der Schnittstelle von Film, Kunst und kultureller Identität. Ihre Dokumentarfilme und wissenschaftlichen Schriften setzen sich eingehend mit dem arabischen Kino auseinander und analysieren Themen wie Geschlecht, Klasse und Nation. Durch ihren kreativen und akademischen Ansatz bietet sie wertvolle Einblicke in kulturelle Ausdrucksformen und deren gesellschaftliche Kontexte.

    Resistance, Dissidence, Revolution
    Arab Cinema
    Der arabische Film
    • Arab Cinema

      • 320 Seiten
      • 12 Lesestunden
      4,2(5)Abgeben

      Since it was first published in 1998, Viola Shafik’s Arab History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history―economic, ideological, and aesthetic―with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry’s development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of “cultural repackaging.” Now updated to reflect cultural shifts in the last two decades, this revised edition contains a new afterword highlighting the latest developments in popular and in art-house filmmaking, with a special focus on Iraq, Lebanon, Palestine, and the Gulf States. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decades.

      Arab Cinema
    • Resistance, Dissidence, Revolution

      Documentary Film Esthetics in the Middle East and North Africa

      • 326 Seiten
      • 12 Lesestunden

      Focusing on the evolution of documentary film in the Middle East and North Africa, this book explores how various documentary styles emerged in response to revolutionary and emancipatory movements throughout the twentieth century in the Arab World. It highlights the intersection of film and political change, offering insights into the role of documentaries in shaping social narratives and historical understanding in the region.

      Resistance, Dissidence, Revolution