Wilfried Raussert Bücher

Halifax's Poet Laureate Afua Cooper and photographer Wilfried Raussert collaborate in this book of poems and photographs focused on everyday Black experiences. The result is a jambalaya -- a dialogue between image and text. Cooper translates Raussert's photos into poetry, painting a profound image of what disembodied historical facts might look like when they are embodied in contemporary characters. This visual and textual conversation honours the multiple layers of Blackness in the African diaspora around North America and Europe. The result is a work that amplifies black beauty and offers audible resistance.

This is the remarkable story of Phillis Wheatley, who is born into an African family of griots, or storytellers, but captured by slave raiders and forced aboard a slave ship, where appalling conditions spell death for many of her companions. Numerous sharks follow the ship, feeding on the corpses of slaves thrown overboard. Weakened by the voyage and near death in a Boston slave market, Wheatley is bought by a kind family who nurses her back to health and teaches her to read and write. Soon her mistress recognizes that the girl is a quick learner and talented. At the age of 12, a torrent of poetry begins to flow out of Wheatley. Proud of her achievements, her mistress organizes readings in Boston's finest parlors and drawing rooms, and Wheatley's fame spreads. But even when many in Boston are calling her a prodigy and a genius, some remain unsure that a slave should be able to write, much less write poetry. When Phillis travels to London she is a media sensation, feted by the cream of English society. A book of her poems is published, and she finally gains her freedom. This amazing story, wide in scope, is based on fact and told convincingly from young Wheatley's point of view.

Often shocking, always compelling, Afua Cooper's novel is based on the life of Henry Bibb, an American slave who after repeated attempts escaped in 1841 to become an anti-slavery speaker, author and founder of a Black newspaper. Cooper takes painstakingly researched details about slavery and weaves an intimate story of Bibb's young life, which is overshadowed by inconceivable brutality. At nine years old, Henry is separated from his mother and brothers and hired out, suffering abuse at the hands of cruel masters so severe he almost dies. Henry's courageous life is described in intimate detail and young readers will learn about everyday slave life on a plantation and in towns and cities, the coded language of slave escapes and the dangerous routes over land and water to safe houses. As Henry Bibb moves from boyhood to manhood, he knows that one day he will “fly away” as in the old legend of the Africans who flew away to freedom. The first-person narrative, convincingly told in Henry's voice, traces Bibb's boyhood, marriage, fatherhood and the developing awareness of his bondage and his determination to break free of it or die.

Focusing on public art practices during significant social and political upheavals, this book explores the 1920s-1930s, 1960s-1970s, and the present day. It highlights how grassroots and avant-garde artists utilize public spaces as platforms for community engagement and social change. The study covers diverse movements, including Garveyism, Mexican muralism, and contemporary initiatives like Zapatista and Black Lives Matter, illustrating how art serves as a catalyst for redefining culture and creating new societal possibilities.

This edited compilation fosters a dialogue across various fields, conceptualizing disability and (mental) illnesses as cultural narratives for social critique. It explores contemporary cultural productions from the Americas, examining how they represent disability and the underlying structures of disease, racism, and sexism.

This book explores the continuous reinvention of the social through music, highlighting its role in identity politics, social movements, and cultural contexts. It examines music's influence beyond mere background sound, showcasing its transformative power in society, particularly through the lens of music from the Americas.