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Mamma Andersson presents Dick Bengtsson

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  • 32 Seiten
  • 2 Lesestunden

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In 1983, I began working as a watchman at Moderna Museet in Stockholm while studying art. My job allowed me to immerse myself in art history, and the bookstore became a treasure trove of inspiration. One of the first exhibitions I oversaw was Dick Bengtsson’s, which, though small, captivated me. Initially, I didn’t fully appreciate his paintings, but eventually, they became foundational to my own work. During the 90s, his catalogue became my daily companion, often accompanying my morning coffee. I would sometimes replicate his paintings or borrow elements for my own creations, leading to a well-worn, stained book. His imagery became so ingrained in me that I occasionally mistake his works for my own. Remarkably, this was the first publication dedicated to his artistry, with another not appearing until 2005, coinciding with a larger exhibition at Moderna Museet. Bengtsson, an autodidact, was once considered an outsider artist, and despite his limited output, his works are now highly valued. I am thrilled to contribute to this project, enabling more art enthusiasts, both in Sweden and beyond, to discover his remarkable legacy.

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Mamma Andersson presents Dick Bengtsson, Mamma Andersson

Sprache
weitere SprachenWE
Erscheinungsdatum
2015
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Titel
Mamma Andersson presents Dick Bengtsson
Sprache
weitere Sprachen
Autor*innen
Mamma Andersson
Erscheinungsdatum
2015
Seitenzahl
32
ISBN10
3897709538
ISBN13
9783897709539
Reihe
Beschreibung
In 1983, I began working as a watchman at Moderna Museet in Stockholm while studying art. My job allowed me to immerse myself in art history, and the bookstore became a treasure trove of inspiration. One of the first exhibitions I oversaw was Dick Bengtsson’s, which, though small, captivated me. Initially, I didn’t fully appreciate his paintings, but eventually, they became foundational to my own work. During the 90s, his catalogue became my daily companion, often accompanying my morning coffee. I would sometimes replicate his paintings or borrow elements for my own creations, leading to a well-worn, stained book. His imagery became so ingrained in me that I occasionally mistake his works for my own. Remarkably, this was the first publication dedicated to his artistry, with another not appearing until 2005, coinciding with a larger exhibition at Moderna Museet. Bengtsson, an autodidact, was once considered an outsider artist, and despite his limited output, his works are now highly valued. I am thrilled to contribute to this project, enabling more art enthusiasts, both in Sweden and beyond, to discover his remarkable legacy.