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The Rest is Noise

Listening to the Twentieth Century

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The scandal over modern music has not died--while paintings by Picasso and Pollock sell for millions of dollars, works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. Yet the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Music critic Alex Ross shines a bright light on this secret world, taking us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of new technologies, of hot and cold wars, of experiments, revolutions, and riots. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.--From publisher description

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The Rest is Noise, Alex Ross

Sprache
Erscheinungsdatum
2008
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(Hardcover)
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Untertitel
Listening to the Twentieth Century
Sprache
Englisch
Autor*innen
Alex Ross
Erscheinungsdatum
2008
Einband
Hardcover
Seitenzahl
624
ISBN10
184115475X
ISBN13
9781841154756
Erstveröffentlichung
2007
Originaltitel
The Rest is Noise: Listening to the Twentieth Century
Bewertung
4,1 von 5 Sternen
Beschreibung
The scandal over modern music has not died--while paintings by Picasso and Pollock sell for millions of dollars, works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. Yet the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Music critic Alex Ross shines a bright light on this secret world, taking us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of new technologies, of hot and cold wars, of experiments, revolutions, and riots. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.--From publisher description