Gratis Versand ab € 16,99. Mehr Infos.
Bookbot

Death at the Chateau

Autor*innen

Buchbewertung

Parameter

  • 305 Seiten
  • 11 Lesestunden

Mehr zum Buch

The third book in the The Times -bestselling murder mystery series, by leading TV/radio comedian Ian Moore! Perfect for fans of Richard Osman, Julia Chapman, or MC Beaton'Cosy, quirky and wry, but most of all, hilariously funny!'JANICE HALLETT, bestselling author of The Appeal––––––––––––Richard Ainsworth's French B&B has been taken over by a production company shooting a historical film at the Château de Valençay. But everything grinds to a halt with the sudden passing of an actor under suspicious circumstances.To get to the bottom of things, Valérie Dorçay and Richard offer catering services to the hastily resumed production. There they discover that the vanity, duplicity and murder of an 18th century French court is nothing compared to that of a 21st century film set, with more heads yet to roll.

Publikation

Buchkauf

Death at the Chateau, Ian Moore

Sprache
Erscheinungsdatum
2024
product-detail.submit-box.info.binding
(Paperback)
Wir benachrichtigen dich per E-Mail.

Lieferung

  • Gratis Versand ab 16,99 € in ganz Österreich! Mehr Infos.

Zahlungsmethoden

3,8
Sehr gut
1012 Bewertung

Hier könnte deine Bewertung stehen.

Sprache
Englisch
Autor*innen
Ian Moore
Erscheinungsdatum
2024
Einband
Paperback
Seitenzahl
305
ISBN10
1788424972
ISBN13
9781788424974
Reihe
Bewertung
3,75 von 5 Sternen
Beschreibung
The third book in the The Times -bestselling murder mystery series, by leading TV/radio comedian Ian Moore! Perfect for fans of Richard Osman, Julia Chapman, or MC Beaton'Cosy, quirky and wry, but most of all, hilariously funny!'JANICE HALLETT, bestselling author of The Appeal––––––––––––Richard Ainsworth's French B&B has been taken over by a production company shooting a historical film at the Château de Valençay. But everything grinds to a halt with the sudden passing of an actor under suspicious circumstances.To get to the bottom of things, Valérie Dorçay and Richard offer catering services to the hastily resumed production. There they discover that the vanity, duplicity and murder of an 18th century French court is nothing compared to that of a 21st century film set, with more heads yet to roll.