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An artist and a mathematician debate, find common ground, and jointly create an assemblage that is neither (or both) an artwork and a mathematical model. A week-long residency project brought together artist Conrad Shawcross and mathematician Matthew Watkins to reflect on the ways in which artists use (or misuse) scientific and mathematical concepts. Secrets of Creation documents this fascinating meeting of worlds, presenting both the week's discussions and debates, and the project upon which Shawcross and Watkins subsequently embarked. Navigating a route that tacked between formalism and natural language, experts and laymen, quantity and quality, poetics and mechanics, Shawcross and Watkins gradually forged a shared discourse in which the concerns of the artist and those of the mathematician could find a common ground. The project ended with their joint creation of an assemblage that was neither (or both) an artwork and a mathematical model.
Buchkauf
Secrets of Creation, Robin Mackay
- Sprache
- Erscheinungsdatum
- 2020
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- (Paperback)
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- Titel
- Secrets of Creation
- Sprache
- Englisch
- Autor*innen
- Robin Mackay
- Verlag
- Urbanomic Media Ltd
- Erscheinungsdatum
- 2020
- Einband
- Paperback
- Seitenzahl
- 96
- ISBN10
- 0957529511
- ISBN13
- 9780957529519
- Reihe
- Schlagwörter
- Sachbücher, Sozialwissenschaften, Philosophie
- Bewertung
- 3,5 von 5 Sternen
- Beschreibung
- An artist and a mathematician debate, find common ground, and jointly create an assemblage that is neither (or both) an artwork and a mathematical model. A week-long residency project brought together artist Conrad Shawcross and mathematician Matthew Watkins to reflect on the ways in which artists use (or misuse) scientific and mathematical concepts. Secrets of Creation documents this fascinating meeting of worlds, presenting both the week's discussions and debates, and the project upon which Shawcross and Watkins subsequently embarked. Navigating a route that tacked between formalism and natural language, experts and laymen, quantity and quality, poetics and mechanics, Shawcross and Watkins gradually forged a shared discourse in which the concerns of the artist and those of the mathematician could find a common ground. The project ended with their joint creation of an assemblage that was neither (or both) an artwork and a mathematical model.