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How the light gets in

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A teenager yearns to escape her roots—but feels like an outsider with the wealthy family that takes her in—in this novel from a Booker Prize finalist. Sixteen-year-old Australian exchange student Louise (Lou) is ecstatic that she has left behind her rough family, who mock her for using big words, and their tiny flat choked with cigarette smoke. Placed in a wealthy Chicago suburb, in a pristine McMansion with the Harding family, Lou is stunned by the glossy ‘There are so many healthy, good-looking teenagers that a few crooked teeth, or short, fat fingers, suddenly take on the proportions of deformities.’ The Hardings are earnest and warm, but Lou’s high-strung insecurity and wary independence begin to widen the cracks in her host family’s strained domesticity, particularly when Lou turns increasingly to booze and drugs . . . Lou’s furious, first-person voice is filled with piercing observations that beautifully balance Lou’s teenage detachment and aching, intelligence and self-absorption, yearning and recklessness. And like Holden Caulfield, with whom she invites inevitable comparison, Lou is unmerciful toward those satisfied with easy answers.

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How the light gets in, M. J. Hyland

Sprache
Erscheinungsdatum
2005
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(Paperback)
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Sprache
Englisch
Autor*innen
M. J. Hyland
Verlag
Canongate
Erscheinungsdatum
2005
Einband
Paperback
Seitenzahl
329
ISBN10
1841954918
ISBN13
9781841954912
Reihe
Originaltitel
How the light gets in
Bewertung
3,45 von 5 Sternen
Beschreibung
A teenager yearns to escape her roots—but feels like an outsider with the wealthy family that takes her in—in this novel from a Booker Prize finalist. Sixteen-year-old Australian exchange student Louise (Lou) is ecstatic that she has left behind her rough family, who mock her for using big words, and their tiny flat choked with cigarette smoke. Placed in a wealthy Chicago suburb, in a pristine McMansion with the Harding family, Lou is stunned by the glossy ‘There are so many healthy, good-looking teenagers that a few crooked teeth, or short, fat fingers, suddenly take on the proportions of deformities.’ The Hardings are earnest and warm, but Lou’s high-strung insecurity and wary independence begin to widen the cracks in her host family’s strained domesticity, particularly when Lou turns increasingly to booze and drugs . . . Lou’s furious, first-person voice is filled with piercing observations that beautifully balance Lou’s teenage detachment and aching, intelligence and self-absorption, yearning and recklessness. And like Holden Caulfield, with whom she invites inevitable comparison, Lou is unmerciful toward those satisfied with easy answers.