Gratis Versand ab € 16,99. Mehr Infos.
Bookbot

Kalooki Nights

Autor*innen

Buchbewertung

Mehr zum Buch

Life should have been sunny for Max Glickman, growing up in Crumpsall Park in peacetime, with his mother's glamorous card evenings to look forward to, and photographs of his father's favourite boxers on the walls. But other voices whisper seductively to him of Buchenwald, extermination, and the impossibility of forgetting. Fixated on the crimes which have been committed against his people, but unable to live among them, Max moves away, marries out, and draws cartoon histories of Jewish suffering in which no one, least of all the Jews, is much interested. But it's a life. Or it seems a life until Max's long-disregarded childhood friend, Manny Washinsky, is released from prison. Little by little, as he picks up his old connection with Manny, trying to understand the circumstances in which he made a Buchenwald of his own home, Max is drawn into Manny's family history - above all his brother's tragic love affair with a girl who is half German. But more than that, he is drawn back into the Holocaust obsessions from which he realises there can be, and should be, no release. There is wild, angry, even uproarious laughter in this novel, but it is laughter on the edge. It is the comedy of cataclysm.

Publikation

Buchkauf

Kalooki Nights, Howard Jacobson

Sprache
Erscheinungsdatum
2011
product-detail.submit-box.info.binding
(Paperback),
Buchzustand
Gebraucht - Gut
Preis
€ 3,99

Lieferung

  • Gratis Versand ab 16,99 € in ganz Österreich! Mehr Infos.

Zahlungsmethoden

3,2
Gut
65 Bewertung

Hier könnte deine Bewertung stehen.

Sprache
Englisch
Autor*innen
Howard Jacobson
Verlag
CCV
Erscheinungsdatum
2011
Einband
Paperback
Seitenzahl
480
ISBN10
0099560674
ISBN13
9780099560678
Reihe
Bewertung
3,15 von 5 Sternen
Beschreibung
Life should have been sunny for Max Glickman, growing up in Crumpsall Park in peacetime, with his mother's glamorous card evenings to look forward to, and photographs of his father's favourite boxers on the walls. But other voices whisper seductively to him of Buchenwald, extermination, and the impossibility of forgetting. Fixated on the crimes which have been committed against his people, but unable to live among them, Max moves away, marries out, and draws cartoon histories of Jewish suffering in which no one, least of all the Jews, is much interested. But it's a life. Or it seems a life until Max's long-disregarded childhood friend, Manny Washinsky, is released from prison. Little by little, as he picks up his old connection with Manny, trying to understand the circumstances in which he made a Buchenwald of his own home, Max is drawn into Manny's family history - above all his brother's tragic love affair with a girl who is half German. But more than that, he is drawn back into the Holocaust obsessions from which he realises there can be, and should be, no release. There is wild, angry, even uproarious laughter in this novel, but it is laughter on the edge. It is the comedy of cataclysm.