A Documentary Herstory of Women Artists in Revolution

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This essential collection of texts and manifestos from women artists addresses gender and race issues in cultural institutions. First published in 1971, it chronicles the efforts of W.A.R., a group of women artists, filmmakers, writers, and cultural workers dedicated to enhancing women's roles in the art world. Notable members included Juliette Gordon, Sara Saporta, and Faith Ringgold, among others. Active from 1969 to 1971, W.A.R. emerged as the women's caucus of the Art Workers' Coalition (AWC), which focused on anti-war protests, anti-racist actions, artists' rights, equitable wages, and the decentralization of museums across New York City. This facsimile publication compiles manifestos, statements, and declarations from W.A.R. members, alongside articles and reports highlighting gendered and racial discrimination in the arts. It includes pro-abortion flyers, protest materials, and documentation of the Women's Interart Center, established in spring 1970 as W.A.R.'s studio and exhibition space. Key actions, such as the 1970 Art Strike Against Racism, Sexism, Repression, and War, are also documented, along with correspondence with major institutions like the Whitney Museum and the Guggenheim Foundation. This edition, selected for its preface and retrospective reflections, offers a comprehensive view of W.A.R.'s history and impact.