The Aesthetics of the Dramatic Art

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Focusing on human interaction as the core of dramatic art, this foundational work from 1931 presents a systematic theory that has shaped modern theater studies. Otakar Zich's insights challenge traditional views centered on imitation and dialogue, emphasizing the audience's role in the theatrical experience. This first complete translation offers a comprehensive look into Czech dramatic thought, making it a vital resource for both practitioners and theorists in the field. Its relevance endures, inspiring contemporary theater practices.