British Cinema and a Divided Nation

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Examining contemporary British cinema, this study analyzes how films reflect the fractured national psyche in the wake of rising political tensions following the Brexit referendum. Through case studies of notable films like Mary Queen of Scots and Darkest Hour, it explores themes of conflict, community, and national identity. The book questions whether these cinematic representations signal a new relationship with the world or reinforce traditional notions of English identity. John White, an established author in film studies, provides a critical lens on these cultural narratives.