The Parallax View

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Set against a backdrop of 1970s paranoia and conspiracy, this study examines The Parallax View's reflection and construction of political history. Mark Campbell analyzes its adaptation from Loren Singer's pulp novel and emphasizes the pivotal role of cinematographer Gordon Willis in shaping the film's visual style, which enhances its themes of delusion and intrigue. The exploration highlights how the film not only mirrors its era but also contributes to the understanding of political narratives driven by hidden agendas.