
Mehr zum Buch
(Boosey & Hawkes Chamber Music). Note from the "For a number of years I had been thinking of writing a piece based on the sound of plucked Instruments like the mandolin, guitar and harp, so when the Dutch Nieuw Ensemble asked me for a piece I realised that this group had excellent players of these three Instruments to which I added trumpet, trombone and vibraphone and composed a one-movement Fantasy whose Dutch titles was chosen by the ensemble (meaning moods). The score opens with a fast movement that presents each Instrument in brief solos between moments for the entire group. This is followed by a slow movement during which the mandolin picks out a line of short notes. A guitar solo accompanied by the group follows and the work concludes with a coda for the sextet. The music was composed during the early summer of 1997 in Southbury, Connecticut." - Elliott Carter -
Buchkauf
Luimen for Trumpet, Trombone, Harp, Mandolin, Guitar and Vibraphone Score, Elliott Carter
- Sprache
- Erscheinungsdatum
- 2020
- product-detail.submit-box.info.binding
- (Paperback)
Keiner hat bisher bewertet.
- Titel
- Luimen for Trumpet, Trombone, Harp, Mandolin, Guitar and Vibraphone Score
- Sprache
- Englisch
- Autor*innen
- Elliott Carter
- Verlag
- Boosey & Hawkes Inc
- Erscheinungsdatum
- 2020
- Einband
- Paperback
- Seitenzahl
- 52
- ISBN13
- 9781705105788
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Musikalische Thematik, Filmthema, Film
- Beschreibung
- (Boosey & Hawkes Chamber Music). Note from the "For a number of years I had been thinking of writing a piece based on the sound of plucked Instruments like the mandolin, guitar and harp, so when the Dutch Nieuw Ensemble asked me for a piece I realised that this group had excellent players of these three Instruments to which I added trumpet, trombone and vibraphone and composed a one-movement Fantasy whose Dutch titles was chosen by the ensemble (meaning moods). The score opens with a fast movement that presents each Instrument in brief solos between moments for the entire group. This is followed by a slow movement during which the mandolin picks out a line of short notes. A guitar solo accompanied by the group follows and the work concludes with a coda for the sextet. The music was composed during the early summer of 1997 in Southbury, Connecticut." - Elliott Carter -