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John Ruskin's "The Stones of Venice" (1851-53) is a seminal work on art and architecture, renowned for its depth and insight, yet its extensive length (nearly half a million words across three volumes) can be daunting. Sarah Quill addresses this challenge by curating Ruskin's descriptions of various buildings and pairing them with her own contemporary photographs, creating a guide that merges Ruskin's vision with present-day imagery. The selection spans a diverse array of subjects, including palaces, churches, bridges, and courtyards, with Quill's photographs highlighting the intricate architectural details that Ruskin meticulously described, such as brickwork, marble, carvings, and sculptures. The book also features reproductions of Ruskin's drawings and watercolours, along with 19th-century engravings, allowing for a visual comparison between the Venice of the 1850s and today. Additionally, extracts from Ruskin's letters and introductory chapters offer context about his time in Venice and the city's architectural significance. This work conveys Ruskin's deep passion for Venice and his dedication to preserving its architectural heritage, making it an invaluable companion for both seasoned and first-time visitors to the city.
Buchkauf
Ruskin's Venice, Sarah Quill
- Sprache
- Erscheinungsdatum
- 2003
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- Beschädigt
- Preis
- € 8,73
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- Titel
- Ruskin's Venice
- Untertitel
- The Stones Revisited
- Sprache
- Englisch
- Autor*innen
- Sarah Quill
- Verlag
- Lund Humphries Pub Ltd
- Erscheinungsdatum
- 2003
- Einband
- Paperback
- Seitenzahl
- 208
- ISBN10
- 0853318956
- ISBN13
- 9780853318958
- Reihe
- Schlagwörter
- Sachbücher, Kunst & Kultur, Historisches Thema, Kunst, Architektur, Architektur & Städtebau, Fotografie, Südeuropa, Italien, Europa, Geschichte Europas, Reisen, Renaissance-Architektur
- Bewertung
- 4,3 von 5 Sternen
- Beschreibung
- John Ruskin's "The Stones of Venice" (1851-53) is a seminal work on art and architecture, renowned for its depth and insight, yet its extensive length (nearly half a million words across three volumes) can be daunting. Sarah Quill addresses this challenge by curating Ruskin's descriptions of various buildings and pairing them with her own contemporary photographs, creating a guide that merges Ruskin's vision with present-day imagery. The selection spans a diverse array of subjects, including palaces, churches, bridges, and courtyards, with Quill's photographs highlighting the intricate architectural details that Ruskin meticulously described, such as brickwork, marble, carvings, and sculptures. The book also features reproductions of Ruskin's drawings and watercolours, along with 19th-century engravings, allowing for a visual comparison between the Venice of the 1850s and today. Additionally, extracts from Ruskin's letters and introductory chapters offer context about his time in Venice and the city's architectural significance. This work conveys Ruskin's deep passion for Venice and his dedication to preserving its architectural heritage, making it an invaluable companion for both seasoned and first-time visitors to the city.