Gratis Versand ab € 16,99. Mehr Infos.
Bookbot

Evoking a Sign | Perceiving an Image

Mehr zum Buch

How do images gain relevance? On the basis of the large-format drawings by artist Toba Khedoori, Monika Leisch-Kiesl’s study situates itself between semiotic and phenomenological theorems. The author investigates the specific qualities of drawing in an examination of the 1990s and 2000s and asks: How does an image become a sign? This permits, or even evokes a contextualization with various social and cultural correlations. The second question: How does a sign become an image? implies a specific form of attention. Jacques Derrida’s concept of brisure – “hinge,” as he introduced it in De la grammatologie – leads to a conversation between the images of Khedoori and the texts of Derrida and opens up an area of reflection “in the blank space of the inter-text” / “dans le blanc de l’entre-texte.”

Buchkauf

Evoking a Sign | Perceiving an Image, Monika Leisch-Kiesl

Sprache
Erscheinungsdatum
2021
product-detail.submit-box.info.binding
(Paperback),
Buchzustand
Gebraucht - Gut
Preis
€ 43,99

Lieferung

  • Gratis Versand ab 16,99 € in ganz Österreich! Mehr Infos.

Zahlungsmethoden

Keiner hat bisher bewertet.Abgeben

Titel
Evoking a Sign | Perceiving an Image
Sprache
Englisch
Verlag
VFMK
Erscheinungsdatum
2021
Einband
Paperback
ISBN10
3903796441
ISBN13
9783903796447
Reihe
Beschreibung
How do images gain relevance? On the basis of the large-format drawings by artist Toba Khedoori, Monika Leisch-Kiesl’s study situates itself between semiotic and phenomenological theorems. The author investigates the specific qualities of drawing in an examination of the 1990s and 2000s and asks: How does an image become a sign? This permits, or even evokes a contextualization with various social and cultural correlations. The second question: How does a sign become an image? implies a specific form of attention. Jacques Derrida’s concept of brisure – “hinge,” as he introduced it in De la grammatologie – leads to a conversation between the images of Khedoori and the texts of Derrida and opens up an area of reflection “in the blank space of the inter-text” / “dans le blanc de l’entre-texte.”