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The Brothers Karamazov

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The final masterpiece from the celebrated author of Crime and Punishment and The Idiot... This extraordinary novel, Dostoyevsky’s last and greatest work, tells the dramatic story of four brothers—Dmitri, pleasure-seeking, impatient, unruly . . . Ivan, brilliant and morose . . . Alyosha, gentle, loving, honest . . . and the illegitimate Smerdyakov, sly, silent, cruel. Driven by intense passion, they become involved in the brutal murder of their own father, one of the most loathsome characters in all literature. Featuring the famous chapter, “The Grand Inquisitor,” Dostoyevsky’s final masterpiece is at once a complex character study, a riveting murder mystery, and a fascinating examination of man’s morality and the question of God’s existence. Translated by Constance Garnett Edited and with a Foreword by Manuel Komroff and an Afterword by Sara Paretsky

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The Brothers Karamazov, Fyodor Dostoyevsky, Constance Garnett, Manuel Komroff

Sprache
Erscheinungsdatum
2007
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Sprache
Englisch
Erscheinungsdatum
2007
Einband
Paperback
Seitenzahl
908
ISBN10
0451530608
ISBN13
9780451530608
Reihe
Erstveröffentlichung
1880
Originaltitel
Братья Карамазовы (Braťja Karamazovy)
Bewertung
4,35 von 5 Sternen
Beschreibung
The final masterpiece from the celebrated author of Crime and Punishment and The Idiot... This extraordinary novel, Dostoyevsky’s last and greatest work, tells the dramatic story of four brothers—Dmitri, pleasure-seeking, impatient, unruly . . . Ivan, brilliant and morose . . . Alyosha, gentle, loving, honest . . . and the illegitimate Smerdyakov, sly, silent, cruel. Driven by intense passion, they become involved in the brutal murder of their own father, one of the most loathsome characters in all literature. Featuring the famous chapter, “The Grand Inquisitor,” Dostoyevsky’s final masterpiece is at once a complex character study, a riveting murder mystery, and a fascinating examination of man’s morality and the question of God’s existence. Translated by Constance Garnett Edited and with a Foreword by Manuel Komroff and an Afterword by Sara Paretsky