INTENTIONS

Exploring the nature of art and criticism, these essays delve into the relationship between truth and representation. The author challenges conventional views on lying, arguing that it can be an essential part of artistic expression. Through witty dialogue and philosophical musings, the texts examine the roles of the artist and the critic, advocating for a deeper understanding of aesthetics. Themes of identity and perception are also highlighted, particularly in the discussion of masks, both literal and metaphorical, that shape human experience.