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The Divine Comedy

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  • 625 Seiten
  • 22 Lesestunden

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The complete Divine Comedy (Inferno, Purgatorio, Paradiso) in one volume from Vintage Classics. The greatest poem of the Middle Ages, in the standard Carlyle-Okey-Wickstead translation, with full notes. Dante’s Divine Comedy relates the allegorical tale of the poet’s journey through the three realms of the dead. Accompanied through the Inferno and Purgatory by Virgil—author of the Roman epic the Aeniad—Dante encounters mythical, historical, and contemporaneous figures in their respective afterlives. Relying on classical (pagan) mythology and Christian imagery and theology, Dante imagines diverse vivid and inventive punishments for the various sinners he encounters, which have become part of the Western imagination. Upon their approach to Paradise, which as a pagan, no matter how worthy, the Latin poet cannot enter, Virgil relinquishes his role as guide to Beatrice. Dante's chaste beloved then accompanies him along the ascent, as they encounter the blessed and the holy, and Dante arrives at a vision of the heavenly paradise.

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Ich musste mir Zeit nehmen es zu lesen und ein paar Mal eine Seite nochmal lesen. Aber es steckt soviel Ironie darin daß es wirklich eine Komödie ist.

Sprache
Englisch
Autor*innen
Dante Alighieri
Erscheinungsdatum
2013
Einband
Paperback
Seitenzahl
625
ISBN10
0804169128
ISBN13
9780804169127
Reihe
Erstveröffentlichung
1321
Originaltitel
La Divina Commedia
Bewertung
4 von 5 Sternen
Beschreibung
The complete Divine Comedy (Inferno, Purgatorio, Paradiso) in one volume from Vintage Classics. The greatest poem of the Middle Ages, in the standard Carlyle-Okey-Wickstead translation, with full notes. Dante’s Divine Comedy relates the allegorical tale of the poet’s journey through the three realms of the dead. Accompanied through the Inferno and Purgatory by Virgil—author of the Roman epic the Aeniad—Dante encounters mythical, historical, and contemporaneous figures in their respective afterlives. Relying on classical (pagan) mythology and Christian imagery and theology, Dante imagines diverse vivid and inventive punishments for the various sinners he encounters, which have become part of the Western imagination. Upon their approach to Paradise, which as a pagan, no matter how worthy, the Latin poet cannot enter, Virgil relinquishes his role as guide to Beatrice. Dante's chaste beloved then accompanies him along the ascent, as they encounter the blessed and the holy, and Dante arrives at a vision of the heavenly paradise.