Parameter
- 479 Seiten
- 17 Lesestunden
Mehr zum Buch
Karen McCarthy Brown's classic book shatters stereotypes of Vodou by offering an intimate portrait of African-based religion in everyday life. She explores the importance of women's religious practices along with related themes of family and of social change. Weaving several of her own voices--analytic, descriptive, and personal--with the voices of her subjects in alternate chapters of traditional ethnography and ethnographic fiction, Brown presents herself as a character in Mama Lola's world and allows the reader to evaluate her interactions there. Startlingly original, Brown's work endures as an important experiment in ethnography as a social art form rooted in human relationships. A new preface, epilogue, bibliography, and a collection of family photographs tell the story of the effect of the book's publication on Mama Lola's life.
Buchkauf
Mama Lola. Voodoo in Brooklyn., Karen McCarthy Brown
- Sprache
- Erscheinungsdatum
- 2000
- product-detail.submit-box.info.binding
- (Hardcover)
Hier könnte deine Bewertung stehen.
- Titel
- Mama Lola. Voodoo in Brooklyn.
- Sprache
- Deutsch
- Autor*innen
- Karen McCarthy Brown
- Erscheinungsdatum
- 2000
- Einband
- Hardcover
- Seitenzahl
- 479
- ISBN10
- 3434504494
- ISBN13
- 9783434504498
- Reihe
- Schlagwörter
- Sachbücher, Sozialwissenschaften, Historisches Thema, Wahre Geschichten, Biografien, Religiöse Themen, Spiritualität, Biographien, Ethnographie, Anthropologie, Biografien von Frauen, Voodoo, Haiti
- Bewertung
- 4,35 von 5 Sternen
- Beschreibung
- Karen McCarthy Brown's classic book shatters stereotypes of Vodou by offering an intimate portrait of African-based religion in everyday life. She explores the importance of women's religious practices along with related themes of family and of social change. Weaving several of her own voices--analytic, descriptive, and personal--with the voices of her subjects in alternate chapters of traditional ethnography and ethnographic fiction, Brown presents herself as a character in Mama Lola's world and allows the reader to evaluate her interactions there. Startlingly original, Brown's work endures as an important experiment in ethnography as a social art form rooted in human relationships. A new preface, epilogue, bibliography, and a collection of family photographs tell the story of the effect of the book's publication on Mama Lola's life.


