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Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.
Buchkauf
Edward Said, Abdirahman A. Hussein
- Sprache
- Erscheinungsdatum
- 2004
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- Titel
- Edward Said
- Untertitel
- Criticism and Society
- Sprache
- Englisch
- Autor*innen
- Abdirahman A. Hussein
- Verlag
- Verso
- Erscheinungsdatum
- 2004
- Einband
- Paperback
- Seitenzahl
- 339
- ISBN10
- 1859843905
- ISBN13
- 9781859843901
- Reihe
- Schlagwörter
- Historisches Thema, Biografien, Historische Romane, Psychologische Thematik, Philosophisches Thema, Kunst, Musikalische Thematik, Philosophie, Klassiker, Spiritualität, Politik, Autobiografien & Memoiren, Ökonomie, USA, Kriege, 20. Jahrhundert, Biographien, Meinungsjournalismus, Gesellschaft, England, Erinnerungen, Feminismus, Yoga, Buddhismus, Literarische Kritik, Weltgeschichte, Schreiben, Inspiration, 21. Jahrhundert, Okkultismus, Romantik (epoche), Marxismus, Revolution, Aufklärung, Exil, Russische Geschichte, Literaturtheorie
- Beschreibung
- Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.