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We need to talk about Kevin

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WINNER OF THE ORANGE PRIZE FOR FICTION 2005 Two years ago, Eva Khatchadourian?s son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.

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We need to talk about Kevin, Lionel Shriver

Sprache
Erscheinungsdatum
2005
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170569 Bewertung

Hervorragend! Ehrlich geschrieben, beide Seiten - Mutter und Sohn - erhalten ein Gesicht, es wird nicht provoziert die Mutter oder den Sohn zu verurteilen, zu hassen. Der Versuch beide zu verstehen, auch nach Ende der Lektüre, überwiegt.

Titel
We need to talk about Kevin
Sprache
Englisch
Autor*innen
Lionel Shriver
Erscheinungsdatum
2005
Einband
Paperback
Seitenzahl
468
ISBN10
1852424672
ISBN13
9781852424671
Reihe
Erstveröffentlichung
2005
Originaltitel
We Need to Talk about Kevin
Bewertung
4,05 von 5 Sternen
Beschreibung
WINNER OF THE ORANGE PRIZE FOR FICTION 2005 Two years ago, Eva Khatchadourian?s son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.