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This compelling novel has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity. ‘Suttree contains a humour that is Faulknerian in its gentle wryness, and a freakish imaginative flair reminiscent of Flannery O’Connor’ Times Literary Supplement ‘Suttree marks McCarthy’s closest approach to autobiography and is probably the funniest and most unbearably sad of his books’ Stanley Booth
Buchkauf
Suttree, Cormac McCarthy
- Sprache
- Erscheinungsdatum
- 1989
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- (Paperback)
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- Titel
- Suttree
- Sprache
- Englisch
- Autor*innen
- Cormac McCarthy
- Verlag
- Picador
- Erscheinungsdatum
- 1989
- Einband
- Paperback
- Seitenzahl
- 480
- ISBN10
- 0330306421
- ISBN13
- 9780330306423
- Reihe
- Schlagwörter
- Belletristik, Historisches Thema, Klassiker, Liebe, Freundschaft, USA, Amerikanische Literatur, Tod, Geschenke für Opa, Geschenke für Oma, Literarische Fiktion, Alleinsein, Armut, Südstaaten, Autobiografische Romane, Überlebenskampf, Magnesia Litera, Südstaaten-Gotik, Tennessee
- Erstveröffentlichung
- 1979
- Originaltitel
- Suttree
- Bewertung
- 4,2 von 5 Sternen
- Beschreibung
- This compelling novel has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity. ‘Suttree contains a humour that is Faulknerian in its gentle wryness, and a freakish imaginative flair reminiscent of Flannery O’Connor’ Times Literary Supplement ‘Suttree marks McCarthy’s closest approach to autobiography and is probably the funniest and most unbearably sad of his books’ Stanley Booth